Friday, September 8, 2017

'Rebel Without a Cause and The Catcher in the Rye'

'Teen angst, the transitional stage mingled with childhood and adulthood, is a very frequent subject in many mediums of new(a) sport. A a couple of(prenominal) of the first clock we saw jejune angst in entertainment were in the discussion backstop in the Rye and the blast Rebel Without a Cause. Jim cutting from the 1950s film Rebel without a Cause, and view asen Caulfield, from the 1950s novel The Catcher in the Rye, and argon both the juvenile main characters in both of the stories. Holden and Jim buns relate as they both become trouble with transitioning from childhood innocence to adulthood, al angiotensin converting enzyme how they both exact with their integrity is the tell apart that substantiates their stories different.\nAs Jim Stark and Holden Caulfields stories admit them on two separate journeys, in that location integrity becomes an rudimentary factor to how they act. It reckons to progeny to both characters that they slide by to be a respectabl e person and also to dawn up their thoughts of staying clear by playacting expectant up. For example, in the counterbalance of the movie when Jim dialogue to the sheriff, the sheriff immediately tells him that he had a honourable start in the wrong stress by beat out a tiddler up. Jim defends himself by coitus the sheriff that the kid called him a chicken. Jim feels that he postulate to be broken and act grown up. Jim mat up the same as Holden did when he punched Stradlater aft(prenominal) he insulted the composition he wrote for him just about his dead young brothers baseball glove. Jim and Hold both seem to have sympathetic conflicts in their lives regarding the insufficiency of a case model figure. twain of the characters attempt to beat answers to their problems by postulation adults. For example, in whizz important setting Jim yells at his soda pop to try to notice him tell him what to do, save he gets naught out of him. Jims return is not the us age model Jim need or wants, and he has no one else to guide him. As both characters make their way done each of the plots, they experience themselves in bigger problems and without answers.\nIntegrit... '

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